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Miyako Jofu(宮古上布)

Among Japan’s traditional crafts are a number of fabrics bearing difference local names – Kumejima, Yaeyema, Miyako, etc. Further, raw materials used for spinning out yarns give them difference names also, so it takes a bit of remembering to do to recognize each and every brand name.

I’m Nathan Shiga, your tour navigator, to do just that to get you acquainted with some of the incredibly fascinating fabrics that make Japan’s textile industry so unique. We have elsewhere covered Kumejima Tsumugi, a silk-woven fabric known to be the origin of Japan’s weaving cottage industry, and today we take up another authentic hemp-woven fabric called Miyako Jofu, a product of another southern island of Miyako.

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Bingata(琉球びんがた)

Ask any average Japanese what fabric reminds him/her of Okinawa. The answer is almost obvious: Bingata. Bingata is certainly synonymous to Okinawa in the world of fabrics. Of the 14 designated traditional handicrafts in Okinawa 12 are fabrics – of which Bingata is one.

I’m Nathan Shiga assigned to navigate you in your tour Okinawa’s traditional handicrafts and today none other than Bingata. I hope you’ll enjoy this short excursion.

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Shuri Ori(首里織)

The Ryuku Kingdom in the 14-15th centuries actively traded with the southeast Asian countries and China and, in the process, took in various weaving skills, which over hundreds of years culminated in a variety of local fabrics in all parts of its domain.

Shuri Ori is the term for a woven cloth produced in Shuri, the capital of the Ryukyu Kingdom. It was in part exclusively woven for the royal family, aristocrats and samurai in later years when Satsuma Clan of Japan invaded the Kingdom. Shuri Ori comprises several variations, Shuri Hanaori, Shuri Tsumugi, Tejima, Routon Ori and Routon Ori and Hanakura Ori. We will revert to details in later paragraphs. Suffice to remember for now that Shuri Ori features this richness in variety.

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Chibana Hanaori(知花花織)

Another nationally designated traditional handicraft, Chibana Hanaori, is a proud product of the Chibana and Noborikawa districts of the former Misato Village, Okinawa. Its history dates back to the 18th century when most Okinawa fabrics were produced under rigorous restrictions as tributes to the royalties of the Ryukyu Kingdom. Chibana Hanaori, however, was free of such restrictions and woven and worn on common occasions of local festivities, namely Umaharashi (horseback-riding, male festival) and Usudeko (ritual for good harvest, female festival).

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Kijoka Bashofu(喜如嘉の芭蕉布)

Twelve of Okinawa’s fourteen designated traditional handicrafts are fabrics; each of them features unique characteristics of the islands they are manufactured in. I’m Nathan Shiga, your navigator in your tour of Okinawa’s charming handicrafts.

Today, we take up Kijoka Bashofu, probably the most delicate of all the twelve, so delicate that it requires extra care in handling the material throughout the entire process of manufacture. Kijoka Bashofu is durable, comfortable to wear and, above all, exceptionally beautiful. The tropical and partly subtropical climate in Okinawa calls for an easy-to-wear fabric like Kijoka Bashofu.

Basho is a local plant of banana family, Musa liukiuensis, that provides the raw material for Kijoka Bashofu. Like other long vegetable fibers – line, hemp, ramie, etc.- Basho doesn’t cling to the skin and is light and airy. By the way, it takes 40 Basho trees to weave a roll of Kijoka Bashofu.

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Yaeyama Minsa(八重山ミンサー)

Yaeyama Minsa is a sister product of Yuntanza Minsa – raw material, utility, etc. and displayed jointly with Yuntanza Minsa. I’m Nathan Shiga to navigate you through another fanciful journey into Japan – into the world of a cotton sash called Yaeyama Minsa. The pleasure is all mine to assist you in your short journey.

Now to start, a brief geography of where we are, Yaejima. Yaejima is the name of a group of 32 southwesternmost islands of Japan with the total area of 228.36 square miles, 400km from Okinawa, 2,000 km from Tokyo. Ishigakijima is the third largest island in Okinawa, next to the Okinawa island proper and Iriomoteshima.

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Yaeyama Jofu(八重山上布)

History

It is not quite certain when Yaeyama Jofu originated but it was listed among items for taxation in the mid 17th century under the rule of the Satsuma Clan of Japan. It was thus co-named Satsuma Jofu. Three other jofu fabrics are known in Japan: Echigo Jofu in Niigata, Miyako Jofu from Miyako Island, Okinawa, and Ohmi Joju in Shiga – designated intangible cultural properties.

Jofu is a hemp fabric. Yaeyama Jofu is woven with yarns dyed in kasuri patterns. Fine yarns are favored as it is generally worn in summer.

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Edo Kiriko (江戸切子)

Introduction

Edo-Kiriko (江戸切子) is originally a glass art and sometimes the technique to make it, originating from Edo era in Japan. So, the piece of Edo-Kiriko is not always a glass to drink but sometimes a box, a plate, or a vase, all of which are made of glass, though. Their graceful and Japanesque patterns on the pieces are mesmerizing many people all over the world even today.

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Ryukyu glass (琉球ガラス)

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 1. The origin of Ryukyu glasses.

The foot print of Ryukyu glasses can be found in the beginning of 17th century when Ryukyu Kingdom faced the different political situation under the new Japanese Bakufu and influence of China’s Qing dynasty(Takara 1989).
Mainly depending upon a historical record, Kyuyó(球陽), the scholars of Ryukyu regional studies mostly agreed upon that the wide spread & popularity of Ryukyu glasses manufacturing throughout the Okinawa Island could be originated in the tributary system among the Ryukyu Kingdom(琉球王国)and Qing Dynasty, China. Although the invasion by the Satsuma, one of the biggest federal domain of Japan`s new government, Edo Bakufu(1603-1867) took place in the beginning of 17th century and Ryukyu kingdom has quickly influenced by it, some scholars has continually been sent to Qing Dynasty or continent of China in 17th centuries.

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New Year travel rush in Japan

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It’s a familiar picture for everyone in the Western world: Every year when Christmas comes, the trains, planes, and roads are full to the bursting point since all the families and loved ones want to gather at their hometown or at some special place like a lovely remote hotel or even go to a country far away.

Japan is not much different in that regard, except that this takes place the days before the turn of the year, the most important public holidays in Japan.

New Year’s Eve falls on a different weekday every year, but beginning December 28, it is the same spectacle: Literally millions of people are on their way to the train stations or airports, the roads are totally jammed, the trains and planes heavily crowded and not only are all fares skyrocketing due to the sudden demand peak, also the usually available deductions are suspended. Needless to say that all seats are reserved months in advance, so those who don`t plan their trip well face a hard time.

Another however rather unpleasant occurrence is the every year recurring flu epidemic. When half a nation is on the move, it is easy for viruses and bacteria to spread out, and what was a locally confined matter soon gets a nationwide problem.

Many Japanese who want to escape the cold climate in December and January might have booked a flight to Guam or Hawaii, and others prefer to spend the holidays in Europe or Northern America. So it is no surprise that even the long-distance flights are booked out.

But there are also those for whom these holidays are not a happy time, since they have nowhere to return to. Those who don’t have a family or no one to be with at the turn of the year most likely feel especially lonely and melancholic at this time.

Quite a characteristic happening occurs on the big express motorways, most of all on the Toumei Express Motorway, the main east-west link between Tokyo and Nagoya (continued by the Meishin Express Motorway to Osaka). On this motorway, traffic jams up to 30 km are then no unusual occurrence, and TV stations provide live coverage of the development of this super-traffic jam and how the people in the jam feel about it.

When after the end of the holiday around January 3rd or 4th all the people return to their homes and workplaces – the so called U-turn rush – the same thing happens in the opposite direction. TV and radio stations send out reporters to the big train stations and airports to catch some families with kids for an interview, since the Japanese like the cute answers the kids give on how the New Year was at, say, their grandparents place. The kids might say something like “It was so much fun building an igloo with Grandpa” or “When we waved goodbye to Grandpa and Grandma at the train station, we were a little bit sad that we already had to part”. This gives the TV and radio audience a heartwarming feeling, and might help keeping the recreation of the holidays despite all the exertions of the big travel rush.